This work represents a change in both my process and approach toward utility focused ceramics. Like many ceramic artists, my introduction to ceramics began with learning to work on the potter's wheel, which was satisfying and delightful for many years but always felt a little bit like a foreign language to me. I wouldn't say I was entirely illiterate on the potter's wheel, but I was never really able to precisely express my intentions on the potter's wheel either.
Since about 2015 I have been slowly learning and exploring the language and process of slip-casting. While being far from fluent in this particular means of expression, I find myself more able to bring my ideas to the surface through slip casting and mold making. The process I employ is not unlike photo collage or assemblage; I search for textures and forms that I find compelling and I collect them with a plaster mold, which then allows me to create a convincing three-dimensional rendering of the forms and textures I find appealing. The three-dimensional rendering is not only convincing, but also malleable, allowing me to manipulate the form to create a discrete object, separate but informed by the original, just like you and me.
A recent endeavor to make a cool fire translucent clay body. More to follow soon.
I have essentially zero background, training, or really any business doing sculpture, but it's my website so what the hell right?
I don't make as much wheel thrown pottery as I used to, but on the odd occasion that I am want to do so, I'll post them here.
These are fairly typical of my wheel thrown work, which includes smooth curves that are bordered by somewhat tight, deliberate accents, like the rims, lids, and handles.
As you can see here, keeping an organized, hygienic studio has always been my top priority.
